
Organizing Committee,
Guest Speakers,
& Presenters
Faculty Sponsor &
Organizing Committee

Faculty Sponsor
Dr. Melanie Holm
Dr. Melanie Holm, the faculty sponsor of IUP’s Swift Studies Group and “Taylor Evermore: A Swift Symposium,” serves as Director for the Composition and Applied Linguistics Graduate Program and is an English professor at Indiana University of Pennsylvania. She graduated from Rutgers University with a PhD in Comparative Literature and holds dual Bachelor of Science Degrees in Mathematics and Literature from the Massachusetts Institute of Technology (MIT). She specializes in seventeenth- and eighteenth-century British and European literature and is particularly interested in the surprising effects of skepticism, satire, and Margaret Cavendish. Dr. Holm is currently working on a book-length study of Cavendish, titled Leaving Lucretia: Margaret Cavendish’s Singular Heroines. Dr. Holm’s favorite Swift songs include “The Man,” and “Peter.”

Chair
Kristin Mlay-Kuhns
Kristin Kuhns is an Adjunct Professor at Seton Hill University, a doctoral candidate, and Graduate Assistant in the Literature and Criticism program at Indiana University of Pennsylvania. She serves as the chief facilitator of IUP’s Taylor Swift Studies Group. In the fall of 2024 she designed and taught a Gender & Women’s Studies Special Topics class “Taylor Swift and Feminism” at Seton Hill University, and is planning to offer the course again in the Spring of 2026 in conjunction with a Service Learning Grant. In the summer of 2026 her article, “‘The Empress and the Pop Star’: Archetypal Parallels & Patterns between Taylor Swift and Empress Elisabeth” is due to be published as part of an edited book collection, Sis(s)i and Us: New Mythologies, by the University Editions of Dijon (EUD) imprint in France.

Co-Chair
Stacey Hoffer
Stacey Hoffer teaches freshman composition at a small community college in Delaware. She also serves as the president of the Mid-Atlantic Writing Center Association and regional affiliate for the International Writing Center Association. She has just completed her candidacy portfolio for the Indiana University of Pennsylvania’s Literary Criticism PhD program and listens to whatever albums Josie tells her to. Folklore and Evermore are her favorites so far.

Co-Chair
Josie Kochendorfer
Josie Kochendorfer is a Ph.D. Candidate in Literature and Criticism at Indiana University of Pennsylvania. She holds an MFA in Creative Writing from Ohio State University. She teaches college literature and writing in Portland, Oregon, where she lives with her partner, dog, and cat. She has presented on Taylor Swift at various conferences, including Swiftposium, Popular Culture Association, and Southwest Popular/American Culture Association’s Online Salon, focusing on feminine affect and autonomy. She is a Folklore sun, a TTPD moon, and a Midnights rising.

Co-Chair
Gates MacPherson
Gates MacPherson is a Ph.D. student in Literature and Criticism at Indiana University of Pennsylvania. Gates serves as the Graduate Assistant for the Kathleen Jones-White Writing Center and the Women and Gender Studies program. She was born and raised in Canada before migrating to Beverly, Massachusetts where she attended Endicott College for her Undergraduate and Master degrees; more importantly, that’s where she fell in love with Taylor’s music and was thus born a Swiftie. Her current research interest is feminist theologians and plans to pursue that pathway in her candidacy portfolio. Gates’ favorite Swift albums are (unironically) Reputation and Lover.
Guest Speakers

Keynote Speaker
Billie R. Tadros
Billie R. Tadros is an Associate Professor in the Department of English and Theatre at The University of Scranton in Scranton, PA, where she also teaches in Women’s and Gender Studies and has previously directed the concentration in Health Humanities. She has also taught at Wilkes University in the Maslow Family Graduate Program in Creative Writing. She is the author of three books of poems, Graft Fixation (Gold Wake Press, 2020), Was Body (Indolent Books, 2020), and The Tree We Planted and Buried You In (Otis Books, 2018), as well as three poetry chapbooks. You can find more of her and her work at www.BillieRTadros.com.

Opening Panelist
Katie E. Cline
Katie E. Cline is a PhD candidate in American Culture Studies at Bowling Green State University where her dissertation, tentatively titled “A Place in This World: Womanhood Embodied in the Music & Fandom of Taylor Swift,” explores what it means for Swift to both be affected by and to affect understanding of cultural messages about girlhood and womanhood, specifically through her relationship to girlhood, sexuality, agency, and feminism. In 2024, Katie taught BGSU's first Taylor Swift class, "Fandom in the U.S.: Taylor Swift," and she has presented work on Swift at the Popular Culture Association, the Young Adult Studies Association, and the Southwest PCA Summer Salon. Her chapter “‘I’ll Drive’: The Reclamation of Agency through Driving Allusions in the Lyrics of Taylor Swift” can be found in Alison Halsall’s forthcoming edited collection Taylor Swift and Transmedial Storytelling. Like Taylor, Katie is close with her mother, Brenda, who supports all of her dreams; she is a big fan of the Kansas City Chiefs, and she has 3 cats—Minnie, Toothless, and Beanie.

Opening Panelist
Juliette Holder
Juliette Holder is a Ph.D. candidate in Rhetoric at Texas Woman’s University, where she currently serves as Assistant Director of First-Year Composition. She brings an interest in multimodal, feminist, and embodied pedagogies to her work as an instructor of technical writing, first-year composition, and Taylor Swift-themed writing courses. She has written about the formation, promotion, and transformation of feminist messages in popular culture for both academic and public-facing audiences, including scholarship about Taylor Swift for Ms. magazine, USA Today and Peitho: Journal of Feminist Rhetorics. Currently, Juliette serves as Area Chair for the Taylor Swift and Swiftie Studies Area of the Southwest Popular American Culture Association.

Opening Panelist
Christina Xan
Christina Xan, PhD, is a Bridge Humanities Fellow at the University of South Carolina. Her scholarly work explores the ways women break temporal, spatial, and affective boundaries of femininity across contemporary literature and media—with a predilection for the American South. Xan is an editor, publisher, and presenter of both creative and scholarly work, most recently included in the Routledge collection Unbound Queer Time in Literature, Cinema, and Video Games. She presently serves as Vice President of the Society for the Study of Southern Literature’s Emerging Scholars Organization and, most importantly, is a “single mom who works two jobs” to five cats: Fitzgerald, Thoreau, Sesame, Apollo, and Ottilie.
Presenters

"The Lost Boys Chapter: Taylor Swift & the Poetics of Aging"
Shoshannah Diehl
Shoshannah Diehl is an English instructor at Marshall University, where she uses her Swiftie abilities to teach textual analysis to the next generation. Her scholarship interests include linguistics, philosophy, sci-fi and fantasy literature, and deciphering the difference between Quill Lyrics, Fountain Pen Lyrics, and Glitter Gel Pen Lyrics. Her most recent work on modality in the imagery of Taylor Swift can be found in the collection Taylor Swift and Philosophy from The Blackwell Pop Culture and Philosophy Series.

"Blood-Soaked Gown: The Monstrous in Taylor Swift’s Lyrics"
Viv Eliot
Viv Eliot is currently a student at Texas State University pursuing her doctorate in
Anthropology. Her hobbies include the study of ghosts in literature, reading books on ghosts, and listening to Taylor Swift on loop.

"Mastermind: Taylor Swift's Lyrics as a Model for Talking Back to Sexism"
Heather Holland
Heather Holland is an Assistant Professor of English at Snow College in Ephraim, Utah. She earned a Master of Fine Arts in Creative Writing, with a minor in Gender and Women's Studies from University of Wyoming, and is currently pursuing a PhD in Literature and Criticism from Indiana University of Pennsylvania. Her interests are wide and varied, but usually find their way back to some combination of ecofeminism, women's writing of all kinds (from poetry to fantasy to diaries and mommy blogs) and all types of magic and speculative fiction. Whenever she feels fed up with how the world puts her feminine self in tight-sealed box, she blasts "Mad Woman" or "Lavender Haze" or "Who's Afraid of Little Old Me" and sings along at the top of her lungs.

"Melodic Manspreading: The Feminist Liberation of “All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)”
Rebecca Karpen
Rebecca Karpenis a Master’s student at New York University specializing in American Politics. She earned her BA from NYU in 2016, studying how communities post-disaster create new identities through populist leaders. Rebecca served as a Fulbright Austria English Language Teaching Assistant with the Austrian Ministry of Education, and Next Leaders Fellow at the Institute for Policy Studies in Washington, D.C. She received the DAAD Summer Study Intensive Grant and multiple academic honors from NYU. She’s written for Alma, PopMatters, and Inequality.org and lectured at the University of Washington on songwriting and Taylor Swift’s role as a populist icon in both the U.S. and Austria.

"‘Swirled you into all of my poems’: The Poetics of Mashups (The Eras Tour Version)"
Langtian Lang
Langtian Lang is a graduate student in English Studies at the University of Cambridge, UK, after earning her BA in English and Classics from Peking University, China. Apart from choosing from a million answers to her third favorite Taylor Swift song – the first and second being “the lakes” and “All Too Well (all versions combined)”, Langtian’s research interests include long nineteenth-century literature, life-writing, and media ecologies. She is currently working on a dissertation on classical language learning in Victorian Bildungsroman, but her career highlight is discovering that Taylor Swift probably has the same fascination over William Wordsworth’s name as she has done since high school. She enjoys making playlists that pair up Taylor Swift and musical theater songs, which leads to an adamant yet extremely lonely clowning of an original musical written by Taylor Swift (and she’ll still see it, until she dies).

"The Tortured Poet: Melancholic Charm in Emily Dickinson and Taylor Swift"
Liz Laughlin
Liz Laughlin is a doctoral student at Indiana University of Pennsylvania. Currently, she teaches composition at IUP and at Pitt-Johnstown. Her work has been published by Modern Language Studies and Vernon Press.

"Linguistically Swift: Decoding Lyricism in Folklore" (Co-presented with Sydnee Pilarski)
Rachel Martin
Rachel Martin is a Literature and Criticism PhD candidate at Indiana University of Pennsylvania, specializing in multilingual American poets in the long 20th century. She is an adjunct instructor at Carroll College, where she also works as an academic instructional technologist. Rachel holds a Masters of Arts in Teaching as well as a Masters of Education in Instructional Design. She has lived on three continents, taught in a bilingual school, and starred in a language-learning web series. Questions of transmission, storytelling, and retention appear in all aspects of her life. A frequent conference presenter and invited speaker, Rachel is also a poet, exploring themes of memory, individuation, and translation.

"Swift’s Great War: War Imagery in the Lyrics of Taylor Swift"
Sydney Nelson
Sydney Nelson is a doctoral student at Indiana University of Pennsylvania. Her interests include surrealism, comics and popular culture, and fantasy. She also enjoys creative writing and hopes to publish a novel someday. Sydney became a Swiftie through "champagne problems" and still loves evermore and folklore most of all.

"Linguistically Swift: Decoding Lyricism in Folklore" (Co-presented with Rachel Martin)
Sydnee Pilarski
Sydnee Pilarski is currently pursuing her Doctoral Degree in Literature and Criticism, specializing in British Literature, at Indiana University of Pennsylvania (IUP). Her academic interests are vast, but she is independently researching works by Margaret Cavendish. Sydnee previously earned a Master of Arts in Literature and Composition at IUP, where she held the positions of Assistant Editor and Art Editor on the Pennsylvania English, working with Dr. Michael Williamson. Sydnee worked for a small publishing company, and was recently hired as a Legal Writer at Fragomen Law Firm in Pittsburgh, Pennsylvania. She also uses her writing to promote the IUP English department through the Lit / Crit Connections blog, which she designed and manages.

“Cryptic and Machiavellian”: Feminine Scheming and Power Acquisition of the Victorian Woman in Taylor Swift’s Discography"
Lily Prince
From Hayden, Alabama, Lily Prince earned her BA in English from Birmingham-Southern College. She is now earning her MA in English with a focus in Victorian literature at the University of Montevallo, where she also serves as a Graduate Student Instructor and Editor in Chief for Montage, the university's yearbook. Prince's love for literature can be credited to her upbringing but also to Taylor Swift whose lyrics challenged her to consider implications beyond surface level from a young age. Her favorite albums include Folklore, Evermore, and The Tortured Poets Department due to their references to the literary canon.

"The Monster on the Hill: "Anti-Hero" and its Connection to Frankenstein"
Alexa Rogers
To keep a Long Story Short, Alexa Rogers is a graduate student in the English, M.A. program at SUNY Buffalo State. In 2020, she completed undergraduate studies of English at Gannon University. The following year, she earned her M.S. in Marketing and Communications from Franklin University. She has been a fan of Taylor Swift since Fearless and is eager to find new ways to incorporate her interest in literary studies with Swift, with her connections between “Anti-Hero” and Frankenstein being just the beginning

"Are we “…Ready for It?”: Exploring the language of safety and security for Swifties" (Co-presented with Talia Shortt)
Jack L. Rozdilsky
Dr. Jack L. Rozdilsky is an associate professor of disaster and emergency management at York University. His research interests are in topics related to emergency management and homeland security. A portion of his research portfolio explores the intersection of disasters and popular culture. Dr. Rozdilsky has current interests in disaster related aspects of film and music.

"Are we “…Ready for It?”: Exploring the language of safety and security for Swifties" (Co-presented with Jack L. Rozdilsky)
Talia Shortt
Talia Shortt is an emerging female scholar who is a master’s degree candidate in disaster and emergency management at York University. She has attended Swift’s “Red,” “1989,” and “Eras” tours, and she nostalgically favors the Fearless era. As a passionate poet and songwriter, Talia is enthusiastic about contributing to the academic discourse on Swift as it bridges her interests in Taylor Swift and her academic pursuits in a surprisingly synergistic way.

"In This Light': Teaching the Storytelling of Taylor Swift"
Annie Schultz
Annie Schultz is an Assistant Professor in the Liberal Arts Core at Flagler College, where she teaches courses on visual culture, aesthetics and society, and the First Year Seminar. Annie also serves as an Assistant Director of the Flagler College Honors Program. Annie holds a PhD in Philosophy of Education from Loyola University Chicago, with specialization in aesthetics for environmental education. Her research and teaching interests include art theory and interpretation, visual culture, and art education. Most recently, she's written on the aesthetics of misinformation and art-based approaches to media literacy. Her writing can be found in Studies in Art Education, The Journal of Aesthetic Education, Educational Theory, and Ethics and Education.

"The Spectacle of Global Icons (Taylor’s Version): Explorations of Fame and Selfhood in Taylor Swift and Franz Kafka"
Jordan Traut-Jellad
Jordan Traut-Jellad is a PhD student in English, General Literature and Rhetoric at Binghamton University. She graduated with her M.A. in English from Millersville University where she specialized in Native American Literature. She has two B.A. degrees from Millersville in English and Anthropology. At Binghamton, her research areas include Indigenous feminism and popular culture studies. She was awarded the Provost’s Doctoral Summer Fellowship. Jordan's aim in her doctoral research and teaching is to center ethical, community-engaged scholarship in the field and constructivism approaches in the classroom. Although her favorite TS song changed with the seasons of her life, Jordan is currently listening to The Prophecy and Cassandra on repeat. Maybe she’s in her metaphysical introspection era.

"'In This Light': Teaching the Story Telling of Taylor Swift"
Jeanette Vigliotti
Jeanette Vigliotti King is an Assistant Professor of Classical and Liberal Education at Flagler College where she teaches courses on creative writing, first year seminar, literature, historical inquiry, and public history. Jeanette also serves as Faculty Coordinator of Core General Education. She received her interdisciplinary humanities PhD from Virginia Commonwealth University in Media Art Text. Her research and teaching interests include the politics of knowledge production, feminist science and technology studies, monster theory, digital body construction, poetry as archival method, and gender and race in twentieth century St. Augustine, Florida. She co-curated the permanent museum exhibit. St. Augustine Surf Culture and History and the temporary exhibit Magic, Mirth, and Mortality: Musings on Black Motherhood.Her academic and creative work can be found in Pacific Review: A West Coast Arts Annual, Comunicazioni Sociali: Journal of Media, Performing Arts, and Cultural Studies and Archival Outlook.

"Confessions of Swift: the Poetic Lyricist"
Michelle Winters
“Are you ready for it?” Michelle Winters is a Ph.D. candidate studying at Indiana University of Pennsylvania. Being a certified Swiftie and a high school English teacher for several years, Winters has often explored the connective ties and writing styles between Taylor Swift and Sylvia Plath. In particular, Winters appreciates both women’s use of confessional poetry. It’s a “Style” Winters knows “All too Well.” Winters uses the “Blank Spaces” between Swift and Plath’s works to tie them together with a smile and to help find their place in this world. By following Swift’s “Manuscript,” Winters has learned that people really do throw rocks at things that shine, but life is too short for “Bad Blood.” Winters’ “Wildest Dream” is to “Begin Again” as she forms a new Reputation with her conference debut. After all, Winters sees Swift as the “Mastermind,” and her works will “Forever & Always” “Long Live.”